Cibersegurança Referências: GLAM e Acadêmicos

ANCIB. Disponível em: <https://www.ancib.org.br/> Acesso em: 20 de mar. de 2020.

CAPES. Disponível em: <http://www.capes.gov.br/> Acesso em: 20 de mar. de 2020.

CNPQ. Disponível em: <http://memoria.cnpq.br/> Acesso em: 20 de mar. de 2020.

COLLECTIONS TRUST. Disponível em: <https://collectionstrust.org.uk/> Acesso em: 20 de mar. de 2020.

Collections Trust. Digital isn’t different. Disponível em: <https://collectionstrust.org.uk/digital-isnt-different/> Acesso em: 20 de mar. de 2020.

Collections Trust. Securing. Disponível em: <https://collectionstrust.org.uk/collections-management/collections-care-and-conservation/securing/> Acesso em: 20 de mar. de 2020.

Collections Trust. Spectrum Digital Asset Management. Disponível em: <https://326gtd123dbk1xdkdm489u1q-wpengine.netdna-ssl.com/wp-content/uploads/2016/11/SPECTRUMDAMFinal2013.pdf> Acesso em: 20 de mar. de 2020.

COMITÊ GESTOR DA INTERNET NO BRASIL. TIC Cultura 2018. São Paulo: CGI.BR, 2019.

CULTURA DIGITAL. Disponível em: <http://culturadigital.br/> Acesso em: 20 de mar. de 2020.

CULTURA.GOV. Disponível em: <http://www.cultura.gov.br/> Acesso em: 20 de mar. de 2020.

DEPARTMENT FOR DIGITAL, CULTURE, MEDIA & SPORT UK. Culture is digital. Disponível em: <https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/687519/TT_v4.pdf> Acesso em: 20 de mar. de 2020.

DREYFUSS, Emily. Brazil’s Museum Fire Proves Cultural Memory Needs a Digital Backup. Disponível em: <https://www.wired.com/story/brazil-museum-fire-digital-archives/> Acesso em: 20 de mar. de 2020.

IBRAM – Instituto Brasileiro de Museus. Disponível em: <http://www.museus.gov.br/> Acesso em: 20 de mar. de 2020.

ICA – International Council on Archives. Disponível em: <https://www.ica.org/en> Acesso em: 20 de mar. de 2020.

ICOM – The International Council of Museums. Disponível em: <https://icom.museum/> Acesso em: 20 de mar. de 2020.

IFLA – The International Federation of Library Associations and Institutions. Disponível em: <https://www.ifla.org/> Acesso em: 20 de mar. de 2020.

KLEGER, Laura. Meet the New Guggenheim.org. Disponível em: <https://www.guggenheim.org/blogs/checklist/meet-the-new-guggenheim-org> Acesso em: 20 de mar. de 2020.

LAVMUSEU. Disponível em: <https://www.lavmuseu.org/> Acesso em: 20 de mar. de 2020.

LORD, Gail; LORD, Barry (org). Manual of Digital Museum Planning. EUA: Rowman & Littlefield Publishers, 2017.

LOUVRE. Disponível em: <https://www.louvre.fr/> Acesso em: 20 de mar. de 2020.

MUSEUMNEXT. Disponível em: <https://www.museumnext.com/> Acesso em: 20 de mar. de 2020.

MUSEWEB. Disponível em: <https://www.museweb.net/> Acesso em: 20 de mar. de 2020.

NESTA. Digital Culture 2017: Museums.  Disponível em: <https://media.nesta.org.uk/documents/dc2017_museums_factsheet.pdf> Acesso em: 20 de mar. de 2020.

PANAGIOTAKOPOULOS, Theodor. GDPR in museums. MOOC “Essential Digital Skills for Museum Professionals”. Disponível em: <http://www.project-musa.eu/> Acesso em: 20 de mar. de 2020.

PANAGIOTAKOPOULOS, Theodor. Data privacy and protection fundamentals. MOOC “Essential Digital Skills for Museum Professionals”. Disponível em: <http://www.project-musa.eu/> Acesso em: 20 de mar. de 2020.

PRYOR, WENDY. Staying safe: cybersecurity in modern museums. MW17: MW 2017. Published January 23, 2017. Consulted October 30, 2019. <https://mw17.mwconf.org/paper/staying-safe-cybersecurity-in-modern-museums-internal-external-and-hidden-threats-with-a-focus-on-cryptography-to-maintain-data-security/> Acesso em: 20 de mar. de 2020.

SPECTRUM. Disponível em: <https://collectionstrust.org.uk/spectrum/> Acesso em: 20 de mar. de 2020.

THE SOLOMON R. GUGGENHEIM FOUNDATION. Disponível em: <https://www.guggenheim.org/> Acesso em: 20 de mar. de 2020.

UNIVERSITY OF OXFORD. Disponível em: <http://www.ox.ac.uk/> Acesso em: 20 de mar. de 2020.

VELIR. The Metropolitan Museum of Art (The MET) (Website Case). Disponível em: <https://www.velir.com/portfolio/nonprofits/metropolitan-museum-art-met> Acesso em: 20 de mar. de 2020.

Versões

Versão inicial de autoria de Ana Cecília Rocha Veiga.